Persuasion by Netflix

Not your grandmother's Jane Austen: Dakota Johnson's
Anne Elliot breaks the fourth wall and holds a rabbit
throughout the film.

Still a Jane Austen neophyte, I watched Netflix' Persuasion this month. Like the screen versions of Pride and Prejudice, the movie necessarily dispenses with the nuances of the novel in order to tell the story in under two hours. If inspired to move on to the book, the viewer can then savor the subtleties of the characters as they navigate the rules of Regency society.

To get right to the point, I liked the film. It had outrageously self-absorbed characters that provided the grist for protagonist Anne Elliot's ironic observations, and the requisite Austen plot twists that provided a happy ending for most of the players.

But it's a good thing that I didn't read the reviews first. They slammed the movie because of the modern dialogue ("He's a 10" "Now we're strangers, worse than strangers, we're exes") and the 21st-century sensibility of Anne Elliot.

Here's an example of movie dialogue that would never come from the pen of Jane Austen.

[Male character]: He [Wentworth] could be an admiral some day, great service to the Crown and all that it holds dear, but instead he'd rather fart around inland for the rest of his life.

[Woman character] Oh, let the man fart where he likes.

It's obvious why diehard Austen fans ("Janeites") are outraged, but I'm not so wedded to historical authenticity. It's fiction.